Why? (Warum from Fantasiestücke, Op. 12, No. 3)

Robert Schumann: Fantasy Pieces
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This has less to do with overall breadth of understanding and having covered various repertoire and all to do with more innate and varied thinking patterns, one individual to the next. Originally Posted by clavichorder.

Apart from the Kinderszenen and the easier album for the young, which pieces by Schumann are the most playable and enjoyable? The work is also recorded by various pianists.

You may find the collection very enjoyable and in some cases not as easy as it seems on the paper. Anyway for me Kreisleriana Op. In a world to be handled by gangsters and maniacs, art means nothing but just a junk food which there's no hope for human salvation through it Originally Posted by Novelette. The Op.

Last edited by hreichgott; Jul at Heather W. Klavierspieler , Novelette liked this post. I bet it's quite difficult to play trough Carnaval. Every piece is so unique, and so different in a way.

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Some of them is highly technical as well. Anyone here played Variations on a theme of Beethoven, WoO 31?

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Originally Posted by hreichgott. I spent a fortune on deodorant before I realized that people don't like me anyway.

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Originally Posted by Klavierspieler. I'm not sure, but I seem to remember hearing that it was considered nearly unplayable in its time. Last edited by PetrB; Jul at Novelette , Klavierspieler , hreichgott liked this post. Originally Posted by PetrB.

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Carnaval is difficult, some 'symphonic' writing, counter-intuitive as 'piano music,'[ Despite the potentially clangorous acoustic, she always achieves an impressive depth of sound in the boldest, most fortissimo reaches. With exquisite rubato, she teeters on the brink of showmanship in this nonchalant masterpiece, and rattles through the finale with thrilling aplomb.

Gaspard de la nuit is the real test here, and a work she has made her own. Share this article Share.

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